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Recording Location. Battery Studios, New York, NY.
Cherry Beach Sound, Toronto, Canada. Chevy Shack Studios, Atlanta, GA. DB Studios, Atlanta, GA.
Encore Studios, Burbank, CA. Hitco South, Atlanta, GA. Hot Beats Recording Studios, Atlanta, GA. Kush Music Studios, Miami, FL.
Legacy Recording Studios, New York, NY. Pop Sound, Santa Monica, CA. Quad Recording, New York, NY. Roc The Mic Studios, New York, NY. Silent Sound Studios, Atlanta, GA. SoundTrap Studios, Atlanta, GA. Studio At The Palms, Las Vegas, NV.
The Ludaplex, Atlanta, GA. Upstairs Studio, Atlanta, GA. Wanted! Sound & Picture, Toronto, Canada.
Westlake Audio, Hollywood, CA. You Know Me Well Studios, Atlanta, GA Album Moods. Calling its guest vocalist co-stars and kicking-off with a 'the movie's about to begin' intro, ' is dressed-up as some conceptual piece but this hodgepodge of high-gloss tracks just barely sticks together. While his previous effort, 2006's, was much more the thematically tight album and deserved a concept, this loose set of tunes is all-together more entertaining, thanks in no small part to a highly inspired and all the punch lines he lands. Most are unquotable jokes that sound nothing but filthy when taken out of context - especially the one about rappers so full of something they end up 'rhyming in farts' - but the superstar team-up with called 'Wish You Would' boasts about 'So many shoes that my closet look like Finish Line' and brings other reminders of 'Pimpin' All Over the World' and its unashamed vision that wealth equals victory. Speaking of reminders, 'Call Up the Homies' is a slower version of 'the gather up the crew' number with and special guest trading lines in the style of and 's 'Gattman and Robbin',' or and 's 'Vato.' The only innovation on the track is the working in of, a new hire at 's DTP label who has his international debut ushered in by giants.
The whole universe - a place where albums are now just part of the picture - gets involved as Hollywood weaves in and out, and a routine that questions the rapper's appearance at the Oscar's is brilliantly flipped into the self-deprecating 'Everybody Hates Chris.' Ving Rhames doing the thing, the Floyd Mayweather appearance, and 's meets karate film production on 'Undisputed' are other amazing moments, and while the, and collaborations are all completely unsurprising, they all come with rock-solid hooks. Tacked on the end is a genuine and moving wake-up call where, and ask the urban youth to leave the 40s and the cocaine game behind. 'I see the sunshine/Gazing through the windowpane/Blazing like indo flame' is how sells a better life to the kids, proving this very smart, smart aleck may not be as hungry as six albums back, he's hardly a sellout on autopilot.
Contents. Background The album was slated for release on October 21, but was pushed back to November 22. In April 2008, a song named 'Let's Stay Together' appeared on xxlmag.com; supposedly from the new album. It is now an iTunes bonus song on the album. Appeared on a track called 'Wish You Would', produced. The album cover was released on October 24, 2008 at wemix.com. The cover is an homage to 's album, which had the band appearing as all the cinemas goers in the picture.
Ludacris planned on releasing a sequel to this album in 2009. In ’09, I’m definitely dropping another album. I’m working on a album and a Theater of the Mind 2. With Battle of the Sexes, I’m trying to do some stuff with Shawnna.' Ludacris has been talking to and about a tour together. 'I haven't confirmed anything yet. It's little talks here and there.
But I'll put it out there: I would love to do a tour where it's me, T.I. And Young Jeezy.
Me, Tip and Jeezy would be outrageous. But nothing is confirmed at the moment.' Guests Ludacris stated before the release of the album that, rather than featuring 'guests', the tracks would have 'co-stars', in keeping with the concept of the album as a 'movie'. 'Co-stars' on Theater of the Mind include, and.
Promotion Ludacris released a 'Gangsta Grillz' mixtape, with, titled. The mixtape was released as a digital download on July 28, 2008. This mixtape was well known for his disses toward, and. Leaks On October 24, 2008, three songs from Theater of the Mind, 'Do the Right Thing', featuring and, 'I Do It for Hip Hop', featuring and, and 'Last of a Dying Breed', featuring were leaked to the Internet. Ludacris commented on the situation: Although I don't know where the leaks came from, the 3 songs leaked to the Internet today were unfinished tracks and premature versions of songs. I'm glad that my fans are excited about the new project, but to get the final masterpiece, the album Theater of the Mind premieres on November 24.
Singles Official singles. The first official single is ', featuring &. The single peaked at #33 on the. The second official single is ', featuring, peaking at #24 on the Billboard Hot 100. The third single is confirmed to be ', featuring. Other songs.
The first promo single is ', featuring. The second promo single is ', featuring. The song 'Last of a Dying Breed', featuring, peaked at #65 on the Billboard 100. Reception Critical reception Professional ratings Review scores Source Rating (B) (favorable) (favorable) (B) (5.3/10) (XL) Theater of the Mind was well received. 's Simon Vozick-Levinson said about the overall feel of the album: ' Theater feels a bit like yet another. We've watched this movie more than a few times, but it's always fun to see this many talented pals cutting loose together.'
Josh Eells of felt the lyrical content making up the whole concept record was lacking and too complacent for Ludacris, saying that 'Punch line for punch line, Luda is still the best in the business, but these sex jams and hater disses feel too flat and perfunctory for his thousand-watt personality.' He concluded that after the final track 'the whole thing seems less like an album than a branding exercise—an obligatory effort to keep the “hip-hop star” line on his CV.' Cited 'I Do It for Hip Hop' as a 'choice cut', indicating a good song on 'an album that isn't worth your time or money.' Chart performance The album debuted at number five on the, selling 214,000 copies in its first week, making it his sixth top 5 album on that chart. It was his first album since 2000's and 2001's to not reach number one status, and his lowest charting album in his career. As of March 2010, the album has sold about 671,000 copies, achieving a gold certification.
Track listing No. Title Writer(s) Producer(s) Length 1. 'Intro', 1:55 2. ' (featuring ) Bridges, Beatrice Verdi 4:33 3. ' (featuring ) Bridges, Ron '8TRIX' Utley, 8TRIX 4:47 4. ' (featuring ), Theo Bowen, Bridges, 3:41 5.
'Call Up the Homies' (featuring and ), Bridges, Sparks, Kamau Georges 4:04 6. 'Southern Gangsta' (featuring, and ) Bridges, Nicholas Warwar Streetrunner 4:34 7.
'Everybody Hates Chris' (featuring ) Bridges, Clark, Don Cannon 4:54 8. ' (featuring and ) Bridges, Garrett (co.) 4:02 9.
' (featuring ) Bridges, 4:32 10. 'Contagious' (featuring ) Jason 'Poo Bear' Boyd, Bridges, Storch 4:45 11. 'Last of a Dying Breed' (featuring ), Bridges, Gluseppe Donaggio, Youtha Fowler, Vito Pallavicini 4:10 12. 'MVP' Bridges, 3:50 13.
'I Do It for Hip Hop' (featuring and ) Bridges, Coleman, Fowler, Wyldfyer 5:22 14. 'Do the Right Thang' (featuring and ) Bridges, Arthur Verocai 5:14 bonus tracks No.
Title Producer(s) Length 15. 'Let's Stay Together' 4:22 Dutch bonus track No. Title Producer(s) Length 16.
'Press the Start Button' 4:00 Sample credits. 'Undisputed' contains samples of 'We'll Find a Way' performed. 'One More Drink' contains samples of 'Take That To The Bank' performed. 'Everybody Hates Chris' contains samples of 'It Takes a Whole Lotta Man for a Woman Like Me' performed. 'Last of a Dying Breed' contains samples of ' performed by, and 'Eric B. Is President' performed.
Ludacris
'MVP' contains samples of 'Virgo' performed by, 'DTP for Life' performed by, and 'All Night Long' performed. 'Do the Right Thang' contains samples of 'Na Boca Do Sol' performed by Arthur Verocai. 'Let's Stay Together' contains samples of 'Everybody's Breakin' Up' performed. Personnel.
Retrieved 2012-03-12. Archived from the original on November 16, 2008. Retrieved 2008-11-10. CS1 maint: BOT: original-url status unknown. (July 16, 2008).
Accessed August 3, 2008. Accessed July 6, 2008.
^ Accessed August 8, 2008. HiphopDX.com. Accessed October 26, 2008.
Jeffries, David. Retrieved December 12, 2010. Rabin, Nathan (December 17, 2008). Retrieved August 22, 2016. ^ Eells, Josh. Alpha Media Group.
Archived from on December 6, 2008. Retrieved April 10, 2010. Retrieved March 22, 2012. ^ Vozick-Levinson, Simon (November 19, 2008). Retrieved April 10, 2010. Stewart, Addi (November 26, 2008). Retrieved April 10, 2010.
Cohen, Ian (January 5, 2009). Retrieved August 22, 2016. Hoard, Christian (November 27, 2008). Archived from on December 5, 2008.
Retrieved April 10, 2010. Cantor, Paul (November 19, 2008). Retrieved August 22, 2016.
December 6, 2008. Retrieved March 12, 2012. Christgau, Robert.
Retrieved December 1, 2017. Nielsen Business Media. Archived from on July 31, 2013.
Retrieved 2008-12-27. Retrieved 2008-12-04. Nielsen Business Media. Archived from on January 28, 2014. Retrieved 2008-12-27. Nielsen Business Media. Archived from on April 26, 2014.
Retrieved 2008-12-27. Nielsen Business Media. Retrieved 2008-12-27.
RapReview Of The Week Ludacris:: DTP/ Author: 'Yeah! Now this is what they call poetry in motion My soul BLEEDS on the paper, heart SCREAMS with emotion It's my daily devotion, that verses stay deeper than the ocean So hip-hop you owe me a promotion! Yeah I do a lilttle boastin and braggin What's all the commotion and naggin about? Cause I'm still the champ in the South? Cause rappers get in the booth and I keep draggin 'em out? Well they fired! And these pink slips, I'm handin 'em out Cause this is 'Theater of the Mind,' consider it a sign of what's to come next, my money's just fine Bank filled with DUMB checks!
Terrorist threat flow Proceed to drop bombs like Mr. Funk Flex But I don't do it for the money, I do it from the heart I do it with the beatbox, I did it from the start I do it for the deejays, I do it for the charts The Van Gogh flow, Luda do it cause it's art!
I do it for the fans, I do it on command I do it for the front row, I do it for the stands I spit it for the hood, I do it for the block And since nine years old I did it for hip-hop!' Honestly for me this review could start and end right there. Ever since Luda first made his national debut with ' he's been steadily improving as an artist and a lyricist. Happily his rise as a hip-hop heavyweight has coincided with his rise as a representative for hip-hop music and culture. He's gone to war with Bill O'Reilly over hip-hop artists being mainstream celebrities, started to help today's youth reach their goals, starred in a slew of Hollywood films from '2 Fast 2 Furious' to 'Max Payne' and generally speaking he's given hip-hop a good name. Luda's even got a show on TV right now called 'Battleground Earth' where he and Tommy Lee battle to see who can make their concert tour more eco-friendly. Some of you skeptics and naysayers are saying that's not a very gangsta thing for a hardcore rap artist to do, but those same critics wrote off Ice Cube when he filmed 'Are We There Yet?'
Before he came back with '.' Today's hip-hop artists are multimedia moguls, taking their moxie on wax straight to the bank with endorsements and guest appearances on NBC TV shows. Luda has taken every opportunity and made the most of it, and instead of softening up his lyrical flows to reach America he's spit so much humor and swagger that they crossed over to HIM. Happily 'Theater of the Mind' doesn't start and end with 'I Do it For Hip-Hop' even though it damn well could.
Wyldfyre The Truth laces the track with a powerfully poignant beat and guest stars Jay-Z and Nas drop some very thoughtful and respectful verses in support. If I had only one reason to own 'Theater of the Mind' this song alone would suffice, and yet the overachieving Ludacris drops 14 tracks of saliva spit all over the vocal booth bringing you the truth. And what is Luda's truth?
Theater Of The Mind Amazon
Turn on the lights and the cameras for some action on 'Intro' and you'll hear it: 'They give me sixteen bars on another nigga's song and you know that I'MA FUCKIN KILL IT.' Okay some of you parents out there are scared when you hear Luda say things like that, so chill. Ask your kids to explain it to you - he's just saying he's one of the best out lyrically. Amazingly his career is still too young for him to be classified as one of the best all-time in rap but when it comes to putting out songs that have sharp punchlines, strong rhymes and a unified theme he's definitely top five in the mainstream pop scene - maybe top two.
Even on singles like 'What Them Girls Like' he still shines. 'Relax and take notes! While I put you up on game Get a sweeter connect than if I put you up on 'caine But you should grab yourself a seat, and a whiskey double because the girls of the world ain't nothin but trouble! They like a little danger, and might not admit it But they on for the chase and they want us to come and get it Plus they love a young thug that's overflowin with swag And keeps his woman all draped in new Louis Vuitton bags and Louis Vuitton pumps, now look at her walk to him I like open toe straps but SG talk to 'em' If you're a head who's paying attention the references to Notorious B.I.G. And Will Smith are obvious; hence Luda's confession that he does it for hip-hop even when he's making something pop.
Beyond that though is the fact it's a crossover song with a POINT. Luda isn't just making up a new dance move for you to imitate or blowing up a ridiculous catch phrase he wants everybody to say, he's telling a tale about the female sex and what it takes to get next to them to get their attention. Ludacris has a point even when he has fun or he's just joking around. On the TrackMasters song 'One More Drink' he and T-Pain both note that more intoxication equals more flirting, which is what often makes it so tempting to HAVE one more in the club. He even offers advice at the end for would be rivals: 'People too picky these days damn it! Too tall, too short, too fat, too skinny. Have a couple of drinks and quit discriminating!'
For those worried that Luda might crossover TOO MUCH don't worry about his focus on 'Theater of the Mind.' Southeast gets wreck when Rick Ross shows up on 'Southern Gangsta.'
New Orleans gets love when Lil Wayne rolls through on 'Last of a Dying Breed.' Chicago brings it strong when Common joins the homey for 'Do the Right Thang' co-starring Spike Lee (seriously). Compton's in the house when Luda decides to 'Call Up the Homies' like The Game. And if you want the comedy (and lord knows Luda got jokes) Chris Rock guest stars on 'Everybody Hates Chris.' While Ludacris may be professing loudly to do it for hip-hop on his latest album, it's refreshing to know he can do it for hip-hop AND still do it for the mainstream who may not realize just how artful he really is. Luda deserves everything he's got coming his way right now and then some, and he doesn't look to be slowing down his hip-hop hustle any time soon. Music Vibes: 8.5 of 10 Lyric Vibes: 9.5 of 10 TOTAL Vibes: 9 of 10 Originally posted: December 2, 2008 source: © Copyright 2007 RapReviews.com, Flash Web Design Exclusive.
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Product Description Two years after his acclaimed fifth LP, Ludacris gets cinematic on the highly-anticipated followup, THEATER OF THE MIND. Employing the Hollywood concept on each track, the ATL king of punch-lines shows his versatility, working with the most eclectic stable of producers seen on a Luda project to date, and passing the mic to a wide range of big-name guest MCs and film personalities (billed 'co-stars'). Whether he's asserting his dominance alongside boxer Floyd 'Money' Maymeather ('Undisputed'), doing the token drunk-in-the-club routine ('One More Drink'), showboating for his haters while Chris Rock clowns him ('Everybody Hates Chris'), or sermonizing in favor of more positive hip-hop alongside Common and Spike Lee ('Do the Right Thing'), Ludacris is as lyrically fit as ever; his one-liners never fail to outshine those of his many costars. The production itself moves from conventional Dirty South to West Coast gangsta to radio-friendly slow jams and even East Coast boom bap. Jay-Z, Nas, Lil Wayne, Jamie Foxx, Rick Ross, the Game, T.I., Chris Brown, T-Pain, and Plies round out the formidable supporting cast.
Personnel: Dru Betts (vocals); Joseph Alexander, E. Jones (keyboards); Poke & Tone (drums); Kamau Georges, Mayne Zane (background vocals). Audio Mixers: Charles Roane; Manny Marroquin; Dave Pensado; Kamau Georges; Jason Goldstein; Gimel 'Young Guru' Keaton; Leslie Brathwaite. Audio Remasterer: Glenn Schick. Editor: Mike Donaldson.
Recording information: Battery Studios, New York, NY; Cherry Beach Sound, Toronto, Canada; Chevy Shack Studios, Atlanta, GA; DB Studios, Atlanta, GA; Encore Studios, Burbank, CA; Hitco South, Atlanta, GA; Hot Beats Recording Studios, Atlanta, GA; Kush Music Studios, Miami, FL; Legacy Recording Studios, New York, NY; Pop Sound, Santa Monica, CA; Quad Recording, New York, NY; Roc The Mic Studios, New York, NY; Silent Sound Studios, Atlanta, GA; SoundTrap Studios, Atlanta, GA; Studio At The Palms, Las Vegas, NV; The Ludaplex, Atlanta, GA; Upstairs Studio, Atlanta, GA; Wanted! Sound & Picture, Toronto, Canada; Westlake Audio, Hollywood, CA; You Know Me Well Studios, Atlanta, GA. Photographer: Chris Stanford. Product Reviews Entertainment Weekly (p.75) - 'Luda himself is still cast in his signature role, the same affably ribald player with the unflappable flow.'
Ludacris Theater Of The Mind Tracks
Billboard (p.41) - 'This one's stuffed with massive, flamboyant beats; overloud dirty-comic vocals; and all the usual lyrical stops.' XXL (Magazine) (pp.119-120) - 'Luda delivers by bringing aboard a solid cast of artists and personalities. Mojo (Publisher) (p.122) - 3.5 stars out of 5 - 'Luda's thundering cadence and pop-wise club jams are strong on 'One More Drink'.'